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Saturday, October 10, 2026
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Ballet Luminary Matthew Ball on Grueling Parts and Online Scrutiny: 'I Don't Feel Precious About My Body'

In the quiet ambiance of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is effortlessly straight-backed, his limbs muscular beneath a plain white T-shirt. On stage, dancers can appear like mighty gods, yet frequently in person they are petite. This is not true for Ball, whose tall stature is part of his demand for heroic characters and partnering. With fine features and piercing eyes, there's a touch of Robert Pattinson about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Growing up in Liverpool, he encountered minimal teasing for his early interest in ballet. Entering the Royal Ballet School at 11, he moved straight into the company and was advanced each year, reaching the top rank of principal in 2018. He has loved tackling meaty characters, particularly the psychological angst found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming starring role is as himself, in an "In Conversation" event aiming to offer behind-the-scenes insights into a performer's art. He will guide the audience through a part, demonstrating his cognitive workflow while performance. Yet in more comedic ballets, the challenge is profound. "A classic ballet is one of the toughest technically," he states.

The Psychological Game and After the Show Feelings

What about following a show, when he has pulled it off? "It feels pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get immersed in the character, frequently I do feel embarrassed afterwards. Following Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Is there? "I am very energetic usually, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."

Early Drivers and Creative Influences

His determination stemmed from early experiences. Not excelling in contests at school made him "vengeful!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming challenge is making his own choreography. For Ball, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from literature, compositions, and art.

Close-Up Dance and Private Dynamic

He also favors presenting dance in smaller venues. "It was just really thrilling," he says of a past experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"

Ball has created pieces with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They are not typically matched on stage at their main theater, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite supporter."

On Social Media and Bodily Perception

On social media, followers can see clips from his projects and photos that highlight a athletic form. Does he care that the response can be a bit objectifying? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on various levels.

Ball characterizes his younger self as "desperate for success." Has it met his hopes? "I feel very aware of how life is a different thing to the dreams you had as a young person," he reflects. He probably has about decade of dancing left. "I guess in the future, I want to be a bit more kind with myself."

JM
The writer

Joanna Martin

Evelyn is a seasoned UK property analyst with over a decade of experience in luxury real estate and investment portfolio management.

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